Profil użytkownika marjorie-baumgarten
Baggage Claim (2013)
Although there’s a strong likability quotient for everyone onscreen here, which ought to keep the movie minimally afloat among its target audience of black viewers starved for a new Tyler...
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Don Jon (2013)
Although the film’s character portraits are vividly drawn, they remain largely one-dimensional.
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Salinger (2013)
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Salerno spends more time talking to photographers with telephoto lenses who, over the decades, laid in wait for Salinger in the hope of capturing a grainy picture, than he does talking to...
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Afternoon Delight (2013)
Afternoon Delight has many small pleasures but falls far short of reaching the G spot.
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Cutie and the Boxer (2013)
Heinzerling allows us to read whatever we want into this picture. The endless struggle for money and professional recognition is either a curse or a raison d’être.
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Computer Chess (2013)
It’s a query with no answers, a period piece about the present. It’s idiosyncratic, actively noncommercial, and doesn’t follow the rules – like playing a game of chess on a board with no ...
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Prince Avalanche (2013)
The film entertains, puzzles, and strays outside the lines.
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Blue Jasmine (2013)
The saga unfolds in a fairly charming fashion, and only Allen’s abrupt ending breaks the spell. Clearly, the filmmaker has no more ideas than Jasmine about how to resolve her predicament.
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2 Guns (2013)
Maybe it’s just an expression of relief after a summer of superheroes and fantasy scenarios, but 2 Guns is a refreshing blast.
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R.I.P.D (Rest In Peace Department) (2013)
R.I.P.D. never creates a believable universe, interesting action sequences, or dynamic characters. It’s a paint-by-numbers approach in which the film’s comedy and drama both fall flat.
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